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i have been really into the 70's clapton tones lately (Live from the 70's, Just One Night, Live at the Filmore, etc.), which seem distinctly different than the current tweed-based tones he gets now. I think he used Music Man and Marshall amps back then - its a 'cleaner' sound than the tweeds (or at least a little less 'hair' around each note). there is better seperation and it seems like more of a twangy sound to it, though it still has some 'edge/bite' and breakup to it.
IF you guys are familiar with the tones i am referencing, is there anything currently available that might be a good match for this. for example, i have no experience with fender blackface models, but is that where i need to go? or will the best bets be to try out some marhsalls for the first time? I need to be able to play it at home, ideally with some for of natural break-up but im not against using a transparent OCD pedal i have either?
any thoughts from those of you that know what tones i am trying to get???
thanks guys!
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You should look around this site. I think there have been a lot of posts about Clapton's tones.
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clappers, i'm directing this to you but i know when i submit this every k.i.a. is going to respond so......get a strat, some lower out put single coils ( fender '57/'62 or even vintage noiseless), a blues based amp ('cause they're somewhat cleaner, maybe even a fender fm dsp 25w or 65w they have some pritty decent sounds avalible). you guessed right he used musicman and marshalls also some fenders. i also have been listening to the "blues" double cd lately. i have an e.c. strat and a fender bdri i can get just about any of his tones or at least come real close, but it an't about sounding like him it's about sounding like you. eventhough, you can't help but love that tone or tones. don't forget he picked up a gibson every once and a while.
Last edited by bluedoochile71 (Wed, 18 Nov 2009 02:20:02)
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clappers wrote:
i have been really into the 70's clapton tones lately (Live from the 70's, Just One Night, Live at the Filmore, etc.), which seem distinctly different than the current tweed-based tones he gets now. I think he used Music Man and Marshall amps back then - its a 'cleaner' sound than the tweeds (or at least a little less 'hair' around each note). there is better seperation and it seems like more of a twangy sound to it, though it still has some 'edge/bite' and breakup to it.
IF you guys are familiar with the tones i am referencing, is there anything currently available that might be a good match for this. for example, i have no experience with fender blackface models, but is that where i need to go? or will the best bets be to try out some marhsalls for the first time? I need to be able to play it at home, ideally with some for of natural break-up but im not against using a transparent OCD pedal i have either?
any thoughts from those of you that know what tones i am trying to get???
thanks guys!
Pick-up is important. Use the Middle/Bridge pickup.
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This is the way to get claptons 70's tone, listen carefully and write this down
step 1: Kidnap clapton
Step 2: cut off your own hands
Step 3: get a friend to cut off claptons hands (your hands are already gone)
Step 4: Employ the help of the scientists from the six million dollar man
Step 5: surgically attach claptons hands to your arms
Thats ALL you have to do... his tone is in his fingers.
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told ya...i hate being right about the wrong things
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Edit: HBL
Washed and hung out to dry this one 
Mhzzz... seems like they are getting through our anti-spammer-solution.... 
this was the second one within a week 
Last edited by HalfBlindLefty (Sun, 03 Jan 2010 11:19:01)
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Strat, "in between" setting, fairly clean amp set for a light break up. Use volume and tone from your guitar to get closer.
The "tone is all in his hands" is pretty much true and it changes over time as he is always changing as a human being and as a player. However, this is a fairly obvious statement. Hopefully you are not under the impression that you can duplicate his equipment on a certain recording and practice until you have reached his tone. Not likely!
However, there is nothing wrong with using a favorite recording as a point of reference of where you might want your sound to go. I think EVERYONE has done this in some way and it is quite valid! I guarantee, you will find a very passable sound that would be hard for a non-player to tell the difference and get you closer to dialing in the sound that you hear in your head!
Welcome to 12bar bluedoochile71 and clappers!! 
Last edited by alaskabluesguy (Sun, 03 Jan 2010 00:30:43)
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alaskabluesguy wrote:
Strat, "in between" setting, fairly clean amp set for a light break up. Use volume and tone from your guitar to get closer.
The "tone is all in his hands" is pretty much true and it changes over time as he is always changing as a human being and as a player. However, this is a fairly obvious statement. Hopefully you are not under the impression that you can duplicate his equipment on a certain recording and practice until you have reached his tone. Not likely!
However, there is nothing wrong with using a favorite recording as a point of reference of where you might want your sound to go. I think EVERYONE has done this in some way and it is quite valid! I guarantee, you will find a very passable sound that would be hard for a non-player to tell the difference and get you closer to dialing in the sound that you hear in your head!
Welcome to 12bar bluedoochile71 and clappers!!
Agreed Alaska, I think that it is very valid for someone using someone elses tone as a BASE for your tone. Everyone has an influence that contributes to the major part of YOUR tone.
And yes, Welcome to 12bar bluedoochile71 and clappers, although I do wish this spammer highway-one would go away. NO WE DONT WANT YOUR PRODUCT!!!
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