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12bar.de - the free Blues guitar tutorial Good morning, Blues, Blues how do you do? |
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Gentlemen (and ladies)...just found this place today. I like what I see so far. A little overboard on the smiley things but I can get used to that (I do like the old dude with the cane though).
I'm a 52 year old blues guy that cut my teeth on rock and roll. Played a little guitar in high school when suddenly real life happened. Picked up the guitar again about four years ago.
Although I enjoy listening to (and playing) most any style of blues I play mostly electric. The Allman Brothers have been at the top of my list since I first heard Whipping Post but my tastes are very eclectic...
The Nighthawks, North Mississippi All Stars, Rod Piazza, Roy Buchanan, Tab Benoit, Ten Years After, Matt Schofield, Juke Hounds, John Lee Hooker, Jimmy Thackery, JJ Cale, The Insomniacs, Henrik Freischlader, Climax Blues Band, Chase The Sun, Cafe R&B, Buddaheads, Alan Haynes, Bill Perry, Cool John Ferguson...the list goes on.
My gear consists of a PRS SE Singlecut, an ESP LTD H250 (that my two boys bought for me four years ago for a birthday present), an old Harmony Meteor, an Ovation 1778T Elite and a Yamaha FG700S all played through a Fender Blues Junior (except for the Yammie).
I look forward to learning a few things here and participating in some stimulating conversations.
Wildwood
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Wildwood
A couple of names there in your list I'm not familiar with I'll have to check them out.
After taking a listen at what your into I thought you might get a kick out of Ray Beadle
Last edited by SOG (Tue, 10 Nov 2009 01:04:40)
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Only two rules here, as far as I know...
1. There is no such thing as "too many smilies." 
2. Have fun!
Also, my great thanks for mentioning Alan Haynes, one of my absolute favorite players! Along with Rory Gallagher's, his Stratocaster sound is tied for my all time favorite; old Strat + cranked Vibro-King = pure-soul-Strat-tone.
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If you have a smiley wish, let me know... 
wildwood wrote:
Picked up the guitar again about four years ago.
Many members here have a similar background... playing when young, real life starts, years later rediscovering the guitar and discovering the Blues 
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Thanks for the warm welcome...
SOG...thanks for the Ray Beadle recomendation. I have not heard of him.
Being from down under you probably know of Sugarcane Collins, another of my favorites.
leftyslim...it's good to find another Alan Haynes fan. I also am a Rory Gallagher fan. Wore the grooves off his Irish Tour '74 album.
12bar...I gotta get used to the smilies 
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Hi Wildwood, welcome to a fun site.
I see that you are from St. Louis. I stopped there last fall with my wife and we had a really great time. Stayed at a hotel near the arch, had good food and saw killer blues bands at two bars. I am even wearing a t-shirt from one of them (called BBs') as I type. Anyway, St. Louis is a great blues town.

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BB's Jazz Blues & Soup on South Broadway...one of my favorites. Glad you had a good time. St Lou is definately a great blues town.
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No sh*t...well I will listen to his music a little differently from now on. I'm impressed!
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Welcome to the site from another over-50 recent arrival, who's been enjoying the company here, and been made to fell very welcome.
It's amazed me to find how many people have found themselves in the "rediscovering the guitar and discovering the blues" boat. 
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wildwood wrote:
leftyslim...it's good to find another Alan Haynes fan. I also am a Rory Gallagher fan. Wore the grooves off his Irish Tour '74 album.
Well, if .mp3 files had grooves, my Irish Tour '74 album probably wouldn't last long either 
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pee.gee wrote:
Wildwood....want a giggle. I'm the guitar player on Sugar Cane Collins' albums.
Well, the electric parts that is.
"some laid back electric guitar from Paul Green that has you rolling across the endless countryside looking for a place to play."
You old dark horse I'll have to go get me a copy. ![]()
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Ahh Sog. Lol. Not a lot of playing on there that i'm what you'd call proud of. If i had my way i wouldve played a lot of the parts differently now. I hadn't listened to it in ages. Mind to Ramble, One Wing Frank and Sallie Mae were a bit of fun tho.
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Welcome Wildwood.
hgnnnnd...... see,
no smiley <grin>

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pee.gee wrote:
Ahh Sog. Lol. Not a lot of playing on there that i'm what you'd call proud of. If i had my way i wouldve played a lot of the parts differently now. I hadn't listened to it in ages. Mind to Ramble, One Wing Frank and Sallie Mae were a bit of fun tho.
Got it
! Good album, your playing on it is very atmospheric like a movie score.
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Yeah that was the gig. To provide colour more than anything else. So you got the " down the river " album? See we actually recorded 2 albums in the same lot of sessions. Which was the last 2 albums. I think this one couldve been recorded, ooh shit up to a year before it was released. I had no idea what was coming out on each album. So there was no real concept to grab a hold of per se.
Thats part of the fun ( cough , cough ) of session work. Some producers want you to be you and put a stamp on the music. While others just want you to colour by numbers lol. You never really know from day to day.
Some days you wake up and have a play..feeling all inspired. Get to the studio and your'e doing a jingle for rice bubbles or something haha. Madness.
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Yeah the Way Down The River CD
Being a session musician sounds a lot like being a freelance illustrator, in the beginning it's like 'Great I get to be creative every day !
, 15 years later it's like Oh great....I have to come up with something creative every day
gets harder to be excited about some jobs . Some days I wish I had a normal 9 -5 job with better money, but then I cant complain especially on sweltering days like today when I could be back on the Forestry fighting fires.
Do they give you much advance time to work something out or do you just have to rock up and play ?
Last edited by SOG (Mon, 16 Nov 2009 07:26:48)
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Haha yes very similar. The breif varies. If its a tv jingle, usually i'd get the gig writing the score. Some times you'd be working with just the artist and the engineer on a self produced project. 9 times out of 10 the artist knows absolutely nothing about music apart from their own material. So you cant really give them many ideas and if you do the engineer starts hinting about the time is money factor. So you have to zip the lip and make the best of what youve got to play with. Other times you get a bigger budget job that has some arty farty producer who uses lines like..." oooh i just love what you played....but do you think you could make it sound a little more...hmmmm YELLOW ?.... Yellow ?....pharkkkkkkkk. That actually happened. Thats just a few examples. More often than not you'd be playing on stuff that never goes to air. Demo's for record labels. It's cheaper for the label to send the artist around to us and free up their own facilities for bigger budget tracking and mixing. You really do get the pleasure of playing on some total crap. That's probably 65% of the time. So yeah, it's a weird feeling to be sitting in a recording studio dreaming about having a normal job hahahaha.
Re down the river. Poor Andy. I'd just split with my wife as we started this album. On top of gigging of a night and recording all day, i'd be getting wasted after the gig to numb the pain.
Up and ready to start recording at 10 am. Having the odd quick nap between takes lol, and generally feeling like shit. As much as i felt for Andy, it was a good thing for me, having to drag myself up to perform. So when i said, if i had my way i'd do a lot of those parts again.....that's why.
Last edited by pee.gee (Mon, 16 Nov 2009 13:53:29)
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Yellow
Mitchell & Webb do a sketch along these lines something like 'Ok not this'. 65% I'll go higher, when it comes to commercial stuff I find they generally play safe with what works, either what worked for someone else or if it's something you did that went well then your guaranteed to be doing a lot more of the same, it's their money so completely understandable just not very interesting.
At first I thought your gigging at night must be the key to keeping the fire burning keeping it interesting, though not conducive to a marriage or to a split by the sounds of it, but I cant imagine doing that for long before burning out, how often do you gig now? I'm guessing you can and would have to be able to play in quite a few different styles as well.
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I've taken a break from live. I just got sick of it. Needed a break. So now i'm just doing sessions for a few local studios and have an internet situation where i do sessions for interstate studios as well. Yeah it's ok actually. Different areas usually have their musical genre attached geographically. I spose country would be the biggest earner for me. I have no desire to go back out live until i finish writing this solo album. I sooooooooo love hitting the "SEND " button as opposed to getting on a tour bus lol.
Gigging every night was never an issue. She knew that is my job and it fed the family, bought the house and paid for 2 cars. She's a smart girl. Nah nothing out of the ordinary there...the result of continual change. Shit happens, pick yourself up and move on. There were periods like 11 gigs a week plus studio dates then squeeze the family in somewhere. That was quite normal. I lived on 3 hours sleep a night for 17 years. That was fine too. My body didnt object lol. I spose it all comes down to how good your attitude is at the time.
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Jesus 3 hours sleep a night for 17 years, that wouldn't work for me or my attitude, see I have this hereditary condition called MBS or Miserable Bastard Syndrome if i don't get enough of it, even if I had your chops they'd still kick me out 
Oh yeah the internet is brilliant, rarely have to leave the house these days with it all being done electronically now, can be a somewhat antisocial hermit existence but it works for me ![]()
I hope the solo album is coming along smoothly, best of luck with it 
Last edited by SOG (Wed, 18 Nov 2009 02:47:06)
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Hahaha yeah 3 hours. I'd get home after the grave yard shift at a local blues club, about 4 am, grab some sleep and be back up at 7 am to make school lunches and breakfast for the wife and son. I didnt have to. Looking back i dont know why i did it either lol. I always told myself i'd go back to bed hahaha ..but that never happened. Instead jump on the exercise bike with Jeff Beck in my ears
...Wakes you up in a kinda snappy fashion. I used to get MBS too. Mine was sexually derived. With my weird schedule sex had to be spontenious. Like at intersections or supermarkets or your mother inlaws kitchen...lol yeah it made me very curious about normality.
Ah man the internet, i visualised years ago. The thought of being a musician who works from home was at the forefront of my mind. Then it happened. I now buy my stage clothes from the mens underware department hahaha.
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I was going to say something about the internet and your particular MBS condition but I best leave that one alone 
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