Thanks VB :) Didn't think it was any good because of a couple of screw-ups (@Kenworth that's why it's not on my main soundclick page)
How I do it, well I just hang back and go with the mood and flow of the backingtrack. It does depend a little on my mood at the time of playing, but that was quite mellow
Why should you be an awestruck spectator ? Listen to Old man of the sea and what you accomplished with that song (PSST 12bar Hall of fame candidate
anyone ?) I got the backingtrack from jamtrackcentral.com (payed)
BTW, a quick one to your pain-gain... stop using 2 cab sims in series at the same time.
@Michael, thanks for the listen and comment
@Kenworth Thanks, I hope the pictures answer the question you asked on Gitaartabs (no-one is interested there so I'm telling here
)
Here are the Okko's settings for the song :
and of course Cybie's settings (Blackface tonestack and Tweed 2 tube configuration)
To answer Kenworth's question, about my settings and show what the Okko can do with your sound, I created a
very rough sample of the same mhh song with both the Okko active and not active.
11281015
When looking at my DAW it becomes clear that the Okko compresses the sound a little when set to higher Body and higher gain.
It's the body that handles mids and compression, while Feed controls the input and bass. The Okko is active between the two blue vertical dashed lines.
BTW: I was playing Josie, using the neck pickup, tone full and volume just a touch below 10
. 
